By default, the application will analyze the images and automatically arrange them however it sees fit, choosing from Perspective, Cylindrical or Spherical depending on what it deems appropriate. The first choice to be made is the Layout, which determines how Photoshop will map the composite. With the images selected, you can skip straight to Okay in order to put the application right to work or you can make a few adjustments in the Photomerge window. But from Photoshop, you’ll have to choose a folder or group of files manually via the Browse button. In either case, Adobe next prompts with a pop-up window for Photomerge.įrom Lightroom, the selected image files will already be present in the Photomerge window. Of course, you could also go straight to Photoshop and look for Photomerge under the Automate heading of the Edit menu. I like to send my images into Photomerge straight from Lightroom by choosing “Merge to Panorama in Photoshop.” To do this, simply select the images to be included (by clicking on the first image in the range and then shift-clicking on the last or by control-clicking on several images that aren’t all in a sequence) and then look under the Photo menu for the Edit heading, where “Merge to Panorama in Photoshop” is found.
#Panorama stitcher instagram series#
Part of the beauty of Photomerge is its ability to make something great out of even a handheld series of photos that have been shot from the hip-just like the example of the lake at sunset shown here. The most accurate approach, however, is to use a tripod and very deliberate camera movements. I find choosing a line such as the horizon and resting the center of the viewfinder right on that line works best so I know I’m staying relatively level. So, instead, use a single focal length (a prime lens ensures this) and a consistent exposure, then sweep the camera slowly from one end of the scene to the other, holding it level and overlapping each frame significantly to ensure no gaps in the composite.
#Panorama stitcher instagram manual#
Use a manual exposure setting to ensure consistency from frame to frame, as one big flaw in a composite is one image that’s different than all the others. It works best when the images were created deliberately for this purpose. It’s called Photomerge, and it’s a great way to make stitching images easy.įirst, a word about shooting the images for use in a panorama. But there’s actually a one-click tool built into Photoshop that allows even the most novice photo editor to create big, beautiful composites. Whatever the cause of this conundrum, there’s a simple solution: stitching multiple frames together to make a panorama.Īnd yes, since Photoshop introduced layers in version 3.0, photographers have been compositing images together to create stitched panoramas by virtual hand. Still, in other cases, you need a larger file than what your camera can deliver. In other cases, the lens you’ve got isn’t wide enough to take in the whole scene. Sometimes, a single frame doesn’t do justice to the big, beautiful landscape before your eyes.
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